I’m assuming most of my readers have heard of the Snowflake Method. It’s more like a planning method than an actual writing method, so I don’t know what the pantsters think of it, but I came across it recently and I think there’s some real merit in it.
At the Alaska Writers Guild fall conference, I had a few sessions and a workshop with Lisa Cron, and she had a similar method, but a touch difference. In a lot of ways, it seems much more succinct than the Snowflake Method. She called it the Five W’s, and it probably seems pretty similar to most of us.
Ms Cron suggests that using her planning method, much like the Snowflake Method, will help keep down the necessity for rewrites, make you a more confident writer, and, when you are writing, your story will be more compelling. (Reminder: Lisa Cron wrote the book Wired for Story, which is all about the neurology behind the entertainment we get sucked into. She’s awesome. Her book is awesome. Her presentations are awesome. If you find any of this information useful, I suggest you get the book or go to a session. Plus she’s just fantastically nice.)
So let’s dive right into the hows! Because I’ve got NaNoWriMo coming up and I need to get cracking on my prep work. Without further ado, the Five W’s.
What-if, Who, Why, World-view, When
Got all that? It probably looks pretty familiar. The idea is to take these questions and apply them to your story idea before you start writing it into a book. So tackle this one at a time as you work your way through the bones of your story.
What If- This is the external conflict, the arena of the story. This should always be about what happens when someone’s expectations were not met. It implies that something has gone wrong or will go wrong which causes trouble. Your what if scenario could be: “What if the internet shut down? What if the earth’s magnetic poles switched? What if my parents showed up for a visit a week before expected?” Make it as crazy as you like. Whee!
Who- Who is our protagonist? Whose skin are we wearing as we navigate this problem? Your who could be: “A thirty-five year old man living in his mom’s basement without human interaction for the last decade. A rising-star geophysicist and mother of three. You. A golden-maned shiatsu imported from China.” Whatever. Have fun with it.
Why- Why is what’s happening in your What If scenario going to matter to your Who? If you can make it really matter to your protagonist, it will matter to your reader. (Assuming your reader likes and sympathizes with your protagonist. If not… maybe go back to your who make make him/her less odious.)
World View- How does the protagonist see his or her world and how does that change over the course of the story? Knowing your character’s world necessitates knowing the past, sitting in the present, and projecting into the future. We have to be able to get into the protagonist’s head. And one of the things that has to be in the character’s head is the misbelief, the fatal flaw, the whatever you want to call it- something your protagonist is WRONG about, some way that he or she can evolve to be a better person at the end.
When- When does your story start? This should be at the last possible moment, the time when tomorrow becomes today, when the protagonist no longer has a choice and must act. At what point can the protagonist no longer ignore the problem, the ticking clock, and has to deal with it? And finally, how does it end?
If you’ve got all this figured out in advance, you’re ready to pound out that first draft. Personally, I’d probably throw in a plot arc as well, but that’s just me. I’m a plotter. How about you? What else would you add to this prep line-up?
(PS- And those of you in the critiquing mood, I have a query letter that I’m hoping to send off later today. If you wouldn’t mind taking a peek at it and letting me know what you think, I’d be much obliged. As always, thanks for reading!)