Reblog: Getting Back Into Writing After a Break

Hello, internet friends! It’s another NaNo month, and yet again I’m woefully unprepared for it. Not only do I have very little idea of what I’m writing this month, but I’m pretty out of practice in creative writing at all. I didn’t write a single creative word the entire time I was in Portugal, and I’ve written very few in the weeks since.

So getting into better writing habits is heavy on my mind going into this month. This week’s reblog addresses just that. Katherine Firth’s Getting Back Into Writing After a Break may be written more toward the thesis writing crowd, but I found it to still be applicable. If you’ve been on a bit of a writing holiday lately but are ready to come back, maybe you will to!

Getting back into writing after a break

by Katherine Firth

Often candidates and researchers come to talk to me when they are trying to get back into academic writing after a long break. That break can be a couple of months of holiday or extended sick leave, or it can be a year of maternity leave, or years in professional or industry roles.

They used to have decent writing habits, but when they tried to start up again, they found it wasn’t working. Writing was hard. They might not get a lot of words down. The words they did produce weren’t very useful. It was slow and painful. They started to wonder if they would ever write well again, if they were still ‘up to it’.

In a previous post I said I wanted to find some tips for people who wrote infrequently. There’s lots of recommendations for regular writers in Your Writing Starter, but if you haven’t been writing for a while, I didn’t have great advice for you. I’ve been thinking about it ever since, and now I think I do have some useful things to say!

***

This post came to me when I got my sourdough starter out of the fridge after a month of ignoring it. It was disgusting. It was grey and wet and smelled of paint thinner. The top was covered in a white yeast and had set like concrete. There was no way I could give it some flour and bake a loaf that would succeed. If I did try putting it in a loaf of bread it would be flat. So… my writing starter was in pretty poor shape.

Fortunately, I’ve been doing this for a while, so I knew some things I could do…

To read the full article, follow this link!

Advertisements

Reblog: How Do You End a Story?

So, for the last couple stories I’ve written, I’ve really struggled with endings. One of them, the best I could squeeze out of myself so far, was just thrown together into a cobbled flop across the finish line; the others didn’t even get that far, ending when I simply couldn’t force myself to keep working on such profoundly flawed projects. It’s been really frustrating because I don’t like quitting on things, especially not things that I’ve devoted so much time and heart to.

Cue DIY MFA. This is a really cool blog that I’ve come to quite a few times with specific questions, or even just to browse. And sure enough, they had a nice article go up about this very problem of mine just a few weeks ago. How timely is that??

Without further ado (since I have so much catching up to do with my NaNo project, ugggggh), enjoy Elizabeth Kauffman’s How Do You End a Story? Hopefully you’ll find it as helpful (or at least encouraging) as I did! Happy writing!

Ask the Editor: How Do You End a Book?

 by Elisabeth Kauffman

I’m nearing the end of a novel–or, I’ve been nearing the end of a novel for some time–and each time I hit the 90k mark, I have an uncontrollable urge to throw the whole thing out and start over. (Uncontrollable as in, I already have. Several times.)

Basically, I look back through the draft under the guise of trying to make the ending gel. Over the course of rereading the first few chapters, I convince myself the problem isn’t the climax, but that the whole book is so deeply flawed a full rewrite is probably the best thing I can do. On some level, I’ve recognized this as a form of creative resistance, and understand routinely scrapping my projects isn’t part of a productive writing process. But it’s also hard to ignore the fact that there are some serious structural issues with my draft.

So, in every sense of the question, how do you end a book?

Need Some Resolution

 

Ready to read the reply? Click through for sweet, sweet knowledge! Link!

Reblog: Daily Writing Routine

Howdy folks! It is now April, and that means it’s Camp NaNo season! Wahoo! I really need this, because I have been super lazy about writing the last few months and particularly the last few days. (Holidays. Holidays WRECK my writing system.)

Speaking of writing systems, the reblog this week is from our friendly neighborhood Well-Storied, about daily writing habits- the good, the bad, and the augh-why-does-it-hurt. Read Kristen Keiffer’s take on daily writing and decide if it’s right for you! Enjoy, and happy writing!

Have you ever thought about creating a daily writing routine? In today's breakdown, I'm sharing my the pros + cons, as well as my personal experience in maintaining a 1,000 day writing streak!

“Real writers write every day.”

Unfortunately, that’s a sentiment you’ll often hear in the writing world, and for a time, I subscribed to it myself. And while I still maintain a daily writing routine, I regret the days I spent telling other writers they should to do the same.

Every writer’s process is unique, and what works for one—or even many—isn’t guaranteed to work for you. And that’s okay! The important thing is to find the writing techniques that work best with your time, your skills, and your stories. Unsure if a daily writing routine would be a good fit for your writing process?

Allow me to share the pros and cons of my own experience with a daily writing routine today!

How I Built My Daily Writing Routine…

I’m far more of a storyteller than a writer. I enjoy plotting, creating characters, world-building, and the like, but the actual process of writing the dang thing is often like pulling teeth for me. And because of that, I’m prone to procrastinating my work.

A few years ago, my writing life was a mess because of this procrastination. I wouldn’t write for weeks at a time, until I grew so frustrated with my lack of productivity that I’d practically hurl myself into the work. Obviously, working with such intensity wasn’t exactly sustainable, and I often exhausted all of my creativity energy and motivation during these times.

I wouldn’t write again for weeks, and so the cycle repeated.

I knew I needed to find a way to stop procrastinating my work, to instead spread my creative energy out throughout the week, but I didn’t know where to start. That’s when I found Faye Kirwin’s Write Chain Challenge, a 30-day course designed to help you build a daily writing routine.

The course itself runs off the principal of a daily minimum. Every day, you must meet your daily minimum writing goal in order to add a link to your Write Chain. Fail to earn your daily link, and you break your chain and must start over.

This challenge seemed like the perfect way to revolutionize my messy writing life, and in February 2015, I began adding links to my Write Chain. After nearly three years of daily writing, I hit my 1,000th daily link earlier this month. One thousand days! 

Never in a million years would I have thought I could work on my writing for so many days in a row. But the practice wasn’t always easy, and it certainly wasn’t perfect…

To read the full article, click here!

Reblog: 5 Ways to Save Your Character From A Drowning Story

Hey, gang! I’m down south visiting family in Anchorage Alaska, and getting very little writing done while I instead plan vacations, bake all the things, and hold the tiniest of humans far more than is necessary.  Fortunately, I’ve got the word count buffer to sustain this kind of lifestyle for another few days during this NaNoWriMo adventure. Any of you fellow wrimos- how go the literary hijinks?

This is our last reblog of the month, and then I have to start being thoughtful again. This one comes from Nicole Blades via Writers Digest, and stuck out to me probably because my story kind of stinks this month, haha. It’s nice to know that if the ship sinks, I might at least be able to launch a lifeboat and get my MC to dry land again.

5 Ways to Save Your Character From a Drowning Story

NBladeby Nicole Blades

As writers, we’ve all experienced that moment when it becomes painfully clear that the story we’re working on just isn’t. We’ve tried to twist and bend it this way and that, but then it’s time to finally admit that we’ve come to the end of the rope with the manuscript and will have to let go. It’s next-level kill your darlings, and it’s rarely pleasant or easy. But what if the protagonist or a key character in that sinking story won’t let go of you? What if the character continues to haunt you and you simply cannot give up on them? Is there a way to valiantly rescue a great protagonist from a less than great story? Short answer: Yes! So, move over, Rose; there’s definitely room for Jack on that floating piece of wood.

I’ve lived through this with my latest novel, Have You Met Nora? (Kensington). My main character, Nora Mackenzie, is a young woman with an incredible secret and a heartbreaking but complicated backstory. She is flawed and layered and fascinating to me. However, the initial setting of the book—an all-girls’ Catholic boarding school in Vermont, where a 17-year-old Nora reigned as the queen of Mean Girls—wasn’t connecting. As Dawn Brooks, a character in the revised book would say, “it didn’t curl all the way over.” I had received feedback from agents, writers, and early readers that kind of all said the same thing: she’s too mean. As compelling as Nora’s story was in my eyes, having readers say that they couldn’t relate to her, that they couldn’t find the connection site with the character, meant that they would never care about what happens to her. And that spells The End for the story. Who’s going to want to keep reading when they don’t care about the protagonist? Exactly.

The thing is, this character captivated me, and the heart of the story I was trying to tell was still beating strong. I just needed to strip away everything else around Nora’s foundation and rebuild it using sturdier, more developed bricks. I went about it by first growing Nora up, moving the character out of school and into full-blown adulthood. I had to construct a fresh world around her that included new relationships, experiences, and weighty conflict that served the character and the story. This kind of revise wasn’t a walk in the park; it took years to pull it off, but I did it. (After all, the book is going to released into the wilds come October 31, right?)

I wanted to share what I learned through this experience with others who may be trying to save a character from a burning book before just hitting DELETE on the whole thing. I asked some other author friends to loan me their two cents on the topic, too. So, here are five actionable tips on how to keep the baby when it’s time to dash the bathwater.

Ready to read some more? Head on over to Writers Digest for the full article. And until next week, happy writing!

Reblog: The Bulletproof Writer

mermaid Hello! It’s another NaNo months! Wahoo! *flings confetti* And with that comes stick figures and reblogs, huzzah!

I know we’re only three days in, but I’m feeling good about this month so far. I spent the first day working on a thriller project that I quickly sacked (probably in large part because I am apparently majorly uncomfortable writing about affairs), and then switched over to a Little Mermaid retelling. I’m really enjoying the switch, and it’s great to be drafting again after so long editing. This being a NaNo month, though, let the blogging laziness begin.

Our first reblog of the month is about dealing with rejection, something that I’ve been working hard to get better at. (As you may recall, I have a rejections goal for the year, which sounds a little insane, but is actually kind of working for me.)  If you haven’t come across Joanna Penn’s blog, The Creative Penn, before, it’s definitely worth checking out.

Here’s a piece from her archive by Michael Alvear, called:

The Bulletproof Writer: How To Deal With Rejection

Rejection is part of the writer’s life, whether that’s from an agent or publisher, a one-star review, or lack of sales. But that doesn’t mean that rejection has to destroy you.

bulletproofHere are some tips from Michael Alvear on how to handle it in a more positive way. 

What danger is to a cop, rejection is to a writer–always hanging in the air dripping with possibility. And drip it does, onto the talented and untalented in almost equal measure.

Actually it doesn’t just drip; it pours.

Rejection has a 360-degree aim — from literary agents who don’t want you as a client, editors who don’t want your manuscript, publishers who give you an insulting advance, bad reviews from literary critics, hate speeches on Amazon, and of course the ultimate rejection—poor sales. Somebody, somewhere at just about every stage of your writing life gives you the finger, a hand and sometimes the whole arm.

Success makes it worse because now you have more to lose. Who do you think suffers more—the newbie who can’t get her first manuscript accepted or the best seller who can’t get his last published because his prior two books tanked? Success, as any best-selling author knows, doesn’t protect you from rejection.

Want to read more? Go check out the full post here! And until next week, happy writing!

Reblog: On Author Responsibility

This month of madness slogs on, now with a new achievement unlocked: Plague! (Oh, wait, haha, this is ME and I unlocked plague a loooong time ago. *weeps*)  But in the light of this month’s craziness, I’ve scheduled a reblog- and lucky you! It’s from Madison Dusome, who is in every way fantastic!  Enjoy!

On Author Responsibility

Months ago now, a reasonably successful fantasy author was accused of (and apologised for) some instances of abuse/manipulation/other bad behaviour.  As a result, he lost readers/followers, sales and other opportunities (some publishers dropped him, some retailers stopped selling his works, etc).

This is something that seems to be happening more and more frequently, possibly because people are more aware of/active against abuse, and/or because authors are increasingly more in the public eye.  Simply put: authors’ behaviour affects the reception of their work, and to become an author is now akin to becoming a celebrity or a politician: people care about what you say, what you do and especially about your scandals.

Why and how much?  Is it right or fair?  Is it possible to avoid?  Let’s discuss!

Want to read more?  Go to Madison’s beautiful blog with this elegantly crafted link!

Reblog: How to Land a Literary Agent

Hi!  I’m sitting in a graphic design shop typing away for the one hour of internet that I’ve had in the last week and have I got a lot of ground to cover.  With that brief excuse, please enjoy this short video by The Book Doctors, Arielle Eckstut and David Henry Sterry, while I register my second child for kindergarten.  *sobs*