Hi, friends! Still chugging away on my NaNo story. It is terrible! But it is progressing about as expected. Next week, I’ll give you some ugly art to round out this month and then we’ll get back to normal. In the meantime, enjoy this lovely video from Jerry B. Jenkins- How to Write a Book: 13 Steps From a Bestselling Author. Happy writing!
I just spent an hour writing and rewriting this post and, forget it, I’m clearly not ready to talk about it. Suffice it to say that I just had an absolute nightmare of a weekend and it’s a good thing I’m scheduled for a reblog today.
The Beat Sheet was a recent discovery and I’m still figuring out how it fits into my outlining style. I’ve experimented with following it exactly, and not at all, and with a few variances in between. We’ll see what I settle on in the end.
Not sure what the Beat Sheet is? Let’s ask Rob Price of SAGU’s Thought Hub!
THE BEAT SHEET: SKELETON OF A SCREENPLAY
Thought Leader: Rob Price, M.A.
Blake Snyder’s beat sheet from Save the Cat! The Last Book on Screenwriting You’ll Ever Need is the primary structure or foundation by which we are going to build our story. It’s the skeleton of the screenplay on which we will soon put on flesh. The beat sheet is a lot more than just Act I, Act II and Act III.
Snyder offers 15 different “beats” that writers of a screenplay should be cognizant to include in the storyline. The numbers next to each of these beats represents approximately on which page or page range they should occur (given that each page of a screenplay is typically about one minute of screen time).
By the way, assembling your beat sheet is the fourth stage that Snyder recommends when preparing your screenplay. If you’re interested in reading about the other stages in a screenplay, check out my 8-Step Guide to Writing Great Screenplays.
The Beats of a Screenplay
Opening Image (Page 1): This is the first impression of the movie: tone, mood, colors, type, scope, genre, the frame universe of the story.
Theme Stated (Page 5): Someone poses a question or makes a statement that reveals theme, but make it a passing offhand comment. Should not be “on the nose” or “too obvious.”
Set-up (Pages 1-10): This is the “make or break” section where you must grab audience or else lose them altogether.
Catalyst (Page 12): This beat can also be called the inciting incident or new opportunity. It is the moment that sets the rest of the film into motion.
Debate (Pages 12-25): The debate gives the hero the chance to say “should I really do this?” and shows how the hero could possibly answer the question or solve the problem, which leads to a firm decision to…
Break into Act II (Page 25): In Act II we leave the old world (the thesis) and journey into the upside down new world (antithesis).
Ready to read the rest? Head on over to the Thought Hub for more!
Hey, look at that, it’s November! If you follow me on Twitter, you’ve maybe seen a bit of my drama surrounding NaNo this year. (Will she? Won’t she??) I really want to do NaNo- I love it and I’ve done every session every year since the birth of my first child. I’m kind of a NaNo junkie. But this November, through a series of unfortunate events (or just numerous time consuming events, really) has become incredibly busy, to the point that I don’t know if NaNo is even possible without dropping the ball on things at work or at home. (And I don’t mean just not doing the laundry. I mean like making meals for my children, getting them to school on time, not getting arrested for neglect sorts of things.)
But! Because I am a junkie and don’t know when to say no, I’ve decided to give it one week. The last few days have been… not promising, honestly, and it’s only going to get worse starting today. If I get to the end of week one and find that it’s really not working out, I am allowing myself to quit with minimal guilt. (I mean, this is me so there will definitely be guilt, but I will do my best to minimize it.)
And so it’s reblog time! I found this post by Kerrie Flanagan (via Writer’s Digest) to be helpful while getting myself ready for my conference a couple months ago, so maybe you will too! I’ll let you know how I’m doing with NaNo next week and, until then, happy writing!
You did it! You signed up for a writing conference, and now the event is right around the corner. Slight panic sets in as you realize there will lots of people, you might not know anyone and you’d rather walk through fiery hot coals than network with strangers. If you relate to any of these statements, then I’ll go out on a limb and say you are an introvert. The good news is, so are a majority of other writers at the conference and there are strategies you can use that will allow you to enjoy the event and make some great connections.
A few weeks before the conference, think about what you hope to get from the event. If you are still fairly new to writing or this is your first conference, you may want to take a broad approach, something that gives you a good overview about writing and publishing.
If you have been to writing conferences before or you have certain goals for your writing, consider a more laser-focused approach. Do you want to focus on the craft of writing? The business side of publishing? Building a platform? Finding an agent? Whatever the focus, make your plan with that in mind. Look over the schedule and choose sessions, workshops and other extras (critiques, one-on-one consults, pitch sessions…) based on your goals.
Ready to read some more? Hop on over to Writer’s Digest for the full article!
Hello, internet friends! It’s another NaNo month, and yet again I’m woefully unprepared for it. Not only do I have very little idea of what I’m writing this month, but I’m pretty out of practice in creative writing at all. I didn’t write a single creative word the entire time I was in Portugal, and I’ve written very few in the weeks since.
So getting into better writing habits is heavy on my mind going into this month. This week’s reblog addresses just that. Katherine Firth’s Getting Back Into Writing After a Break may be written more toward the thesis writing crowd, but I found it to still be applicable. If you’ve been on a bit of a writing holiday lately but are ready to come back, maybe you will to!
Getting back into writing after a break
by Katherine Firth
Often candidates and researchers come to talk to me when they are trying to get back into academic writing after a long break. That break can be a couple of months of holiday or extended sick leave, or it can be a year of maternity leave, or years in professional or industry roles.
They used to have decent writing habits, but when they tried to start up again, they found it wasn’t working. Writing was hard. They might not get a lot of words down. The words they did produce weren’t very useful. It was slow and painful. They started to wonder if they would ever write well again, if they were still ‘up to it’.
In a previous post I said I wanted to find some tips for people who wrote infrequently. There’s lots of recommendations for regular writers in Your Writing Starter, but if you haven’t been writing for a while, I didn’t have great advice for you. I’ve been thinking about it ever since, and now I think I do have some useful things to say!
This post came to me when I got my sourdough starter out of the fridge after a month of ignoring it. It was disgusting. It was grey and wet and smelled of paint thinner. The top was covered in a white yeast and had set like concrete. There was no way I could give it some flour and bake a loaf that would succeed. If I did try putting it in a loaf of bread it would be flat. So… my writing starter was in pretty poor shape.
Fortunately, I’ve been doing this for a while, so I knew some things I could do…
To read the full article, follow this link!
So, for the last couple stories I’ve written, I’ve really struggled with endings. One of them, the best I could squeeze out of myself so far, was just thrown together into a cobbled flop across the finish line; the others didn’t even get that far, ending when I simply couldn’t force myself to keep working on such profoundly flawed projects. It’s been really frustrating because I don’t like quitting on things, especially not things that I’ve devoted so much time and heart to.
Cue DIY MFA. This is a really cool blog that I’ve come to quite a few times with specific questions, or even just to browse. And sure enough, they had a nice article go up about this very problem of mine just a few weeks ago. How timely is that??
Without further ado (since I have so much catching up to do with my NaNo project, ugggggh), enjoy Elizabeth Kauffman’s How Do You End a Story? Hopefully you’ll find it as helpful (or at least encouraging) as I did! Happy writing!
I’m nearing the end of a novel–or, I’ve been nearing the end of a novel for some time–and each time I hit the 90k mark, I have an uncontrollable urge to throw the whole thing out and start over. (Uncontrollable as in, I already have. Several times.)
Basically, I look back through the draft under the guise of trying to make the ending gel. Over the course of rereading the first few chapters, I convince myself the problem isn’t the climax, but that the whole book is so deeply flawed a full rewrite is probably the best thing I can do. On some level, I’ve recognized this as a form of creative resistance, and understand routinely scrapping my projects isn’t part of a productive writing process. But it’s also hard to ignore the fact that there are some serious structural issues with my draft.
So, in every sense of the question, how do you end a book?
Need Some Resolution
Ready to read the reply? Click through for sweet, sweet knowledge! Link!
Howdy folks! It is now April, and that means it’s Camp NaNo season! Wahoo! I really need this, because I have been super lazy about writing the last few months and particularly the last few days. (Holidays. Holidays WRECK my writing system.)
Speaking of writing systems, the reblog this week is from our friendly neighborhood Well-Storied, about daily writing habits- the good, the bad, and the augh-why-does-it-hurt. Read Kristen Keiffer’s take on daily writing and decide if it’s right for you! Enjoy, and happy writing!
“Real writers write every day.”
Unfortunately, that’s a sentiment you’ll often hear in the writing world, and for a time, I subscribed to it myself. And while I still maintain a daily writing routine, I regret the days I spent telling other writers they should to do the same.
Every writer’s process is unique, and what works for one—or even many—isn’t guaranteed to work for you. And that’s okay! The important thing is to find the writing techniques that work best with your time, your skills, and your stories. Unsure if a daily writing routine would be a good fit for your writing process?
Allow me to share the pros and cons of my own experience with a daily writing routine today!
How I Built My Daily Writing Routine…
I’m far more of a storyteller than a writer. I enjoy plotting, creating characters, world-building, and the like, but the actual process of writing the dang thing is often like pulling teeth for me. And because of that, I’m prone to procrastinating my work.
A few years ago, my writing life was a mess because of this procrastination. I wouldn’t write for weeks at a time, until I grew so frustrated with my lack of productivity that I’d practically hurl myself into the work. Obviously, working with such intensity wasn’t exactly sustainable, and I often exhausted all of my creativity energy and motivation during these times.
I wouldn’t write again for weeks, and so the cycle repeated.
I knew I needed to find a way to stop procrastinating my work, to instead spread my creative energy out throughout the week, but I didn’t know where to start. That’s when I found Faye Kirwin’s Write Chain Challenge, a 30-day course designed to help you build a daily writing routine.
The course itself runs off the principal of a daily minimum. Every day, you must meet your daily minimum writing goal in order to add a link to your Write Chain. Fail to earn your daily link, and you break your chain and must start over.
This challenge seemed like the perfect way to revolutionize my messy writing life, and in February 2015, I began adding links to my Write Chain. After nearly three years of daily writing, I hit my 1,000th daily link earlier this month. One thousand days!
Never in a million years would I have thought I could work on my writing for so many days in a row. But the practice wasn’t always easy, and it certainly wasn’t perfect…
To read the full article, click here!
Hey, gang! I’m down south visiting family in Anchorage Alaska, and getting very little writing done while I instead plan vacations, bake all the things, and hold the tiniest of humans far more than is necessary. Fortunately, I’ve got the word count buffer to sustain this kind of lifestyle for another few days during this NaNoWriMo adventure. Any of you fellow wrimos- how go the literary hijinks?
This is our last reblog of the month, and then I have to start being thoughtful again. This one comes from Nicole Blades via Writers Digest, and stuck out to me probably because my story kind of stinks this month, haha. It’s nice to know that if the ship sinks, I might at least be able to launch a lifeboat and get my MC to dry land again.
5 Ways to Save Your Character From a Drowning Story
by Nicole Blades
As writers, we’ve all experienced that moment when it becomes painfully clear that the story we’re working on just isn’t. We’ve tried to twist and bend it this way and that, but then it’s time to finally admit that we’ve come to the end of the rope with the manuscript and will have to let go. It’s next-level kill your darlings, and it’s rarely pleasant or easy. But what if the protagonist or a key character in that sinking story won’t let go of you? What if the character continues to haunt you and you simply cannot give up on them? Is there a way to valiantly rescue a great protagonist from a less than great story? Short answer: Yes! So, move over, Rose; there’s definitely room for Jack on that floating piece of wood.
I’ve lived through this with my latest novel, Have You Met Nora? (Kensington). My main character, Nora Mackenzie, is a young woman with an incredible secret and a heartbreaking but complicated backstory. She is flawed and layered and fascinating to me. However, the initial setting of the book—an all-girls’ Catholic boarding school in Vermont, where a 17-year-old Nora reigned as the queen of Mean Girls—wasn’t connecting. As Dawn Brooks, a character in the revised book would say, “it didn’t curl all the way over.” I had received feedback from agents, writers, and early readers that kind of all said the same thing: she’s too mean. As compelling as Nora’s story was in my eyes, having readers say that they couldn’t relate to her, that they couldn’t find the connection site with the character, meant that they would never care about what happens to her. And that spells The End for the story. Who’s going to want to keep reading when they don’t care about the protagonist? Exactly.
The thing is, this character captivated me, and the heart of the story I was trying to tell was still beating strong. I just needed to strip away everything else around Nora’s foundation and rebuild it using sturdier, more developed bricks. I went about it by first growing Nora up, moving the character out of school and into full-blown adulthood. I had to construct a fresh world around her that included new relationships, experiences, and weighty conflict that served the character and the story. This kind of revise wasn’t a walk in the park; it took years to pull it off, but I did it. (After all, the book is going to released into the wilds come October 31, right?)
I wanted to share what I learned through this experience with others who may be trying to save a character from a burning book before just hitting DELETE on the whole thing. I asked some other author friends to loan me their two cents on the topic, too. So, here are five actionable tips on how to keep the baby when it’s time to dash the bathwater.
Ready to read some more? Head on over to Writers Digest for the full article. And until next week, happy writing!